Mo
Electronics Kid · Narrator
Seventeen, Jewish, smart enough to know he is in over his head, stubborn enough to stay anyway. The kid who thinks he is learning sales and ends up learning how to survive, or at least how to try to.
Autofiction · Dark Humor · Scarborough Grit
A seventeen-year-old kid walks into a big-box furniture store in mid-2000s Scarborough and stumbles into a sales floor full of hustlers, predators, and people one bad decision away from a court date. The Zoo is a darkly funny, brutally honest coming-of-age story based on very real chaos.
Autofiction · Workplace satire · Coming of age
Seventeen-year-old Mo expects boredom and minimum wage when he takes a job at Laskin’s Discount Furnishing Emporium in mid-2000s Scarborough. What he finds instead is a masterclass in survival. Among its employees, the store is known as “The Zoo,” a place where everything feels slightly out of control. The sales floor is loud, unpredictable, and fueled by competition. Commission is survival, loyalty is negotiable, and every “hoorah” meeting feels like a pep rally for moral compromise.
At first, Mo laughs it off. The dysfunction feels like comedy, the people like characters. As he grows sharper, he starts to see the cracks beneath the surface. The chaos is not random; it is systemic, a reflection of the world outside the store. Exploitation, ego, and desperation hide under fluorescent light, disguised as hustle. The longer he stays, the more he realizes how easily people adapt to madness when rent is due and hope is short.
Based on real people, places, and events, The Zoo captures the dark humor and quiet heartbreak of working-class life with unflinching honesty. What begins as a workplace satire unfolds into a deeper story about ambition, survival, and the slow erosion of innocence. Through grit, absurdity, and moments of unexpected tenderness, Mo learns that growing up is not about escaping chaos, but about deciding who you become within it.
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Prologue & Chapter 1 – Welcome to the Zoo · First 28 Pages
WARNING: THE ZOO contains strong language and mature themes. Reader discretion advised.
This sample is provided for personal viewing only. Please do not copy or redistribute without permission.
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Download PDF SampleThis PDF includes the full Prologue and opening chapter of The Zoo. The complete manuscript is ~80,000 words and available to agents and editors on request.
Request the full manuscriptA sales floor full of predators, prey, and everything in between. Meet who's 'Up' in Chapter 1.
Electronics Kid · Narrator
Seventeen, Jewish, smart enough to know he is in over his head, stubborn enough to stay anyway. The kid who thinks he is learning sales and ends up learning how to survive, or at least how to try to.
Quiet killer · Mentor
Looks like he should be running a studio, not a TV wall. Calm, observant, and sharper than everyone who underestimates him. Teaches Mo how to see through the bullshit.
Floor shark · Store villain
Diamonds literally encrusted in his front teeth and a walk like he’s scouting for prey. Tight with Barry, so complaints vanish into thin air on the daily. If you let him slip into your sale, consider it his.
General Manager · Motivational threat
Built like a linebacker, speaks like a locker-room coach, lives for Saturday “hoorah” meetings. Writes a number, circles it, stares, and somehow people sign.
Closer · Chaos tour guide
Ginger, fast-talking, inappropriate, and shockingly good at getting people to finance things they never meant to buy. The one who drags Mo into the Zoo.
Complete wild card · Delivery diva
Short, husky, gold-chain wearing Jamaican with a talent for stealing ups. Intimidating, explosive, and dangerously charismatic. Watch him sell a fridge, it's performance art.
Sales whisperer
Tall, lanky Somali poet trapped in a suit that never quite fits. Smiles like a saint, sells like a prophet, always prescribing a glass of camel milk to cure everything from mental distress to erectile disfunction. Just smile and nod.
Matriarch · Silent enforcer
Stoic, sharp, and unbothered by chaos. Balances three languages, two clients, and one notepad without breaking stride. Do not waste her time.
Closer · Mini-Big Mike
Always on his Bluetooth headset, always “handling something important,” and always driving a car his salary shouldn’t logically support. Talks like a junior Big Mike, walks like he's late for a meeting he invented, and constantly brushes his nose like he’s allergic to responsibility. His jacket cuffs tell their own story.
Relics
Milty, Larry, and Jerry — three Jewish legends too stubborn to retire. Milty with his notebook and mischief, Larry in his loud pinstripes and white pompadour, and Jerry wandering like a cursed Roomba with undiagnosed tourettes. Together they form the soul, chaos, and labour-law violations of the Zoo.
Paperwork ninja
Neduardo. Filipino kid who files paperwork faster than Liam talks. Tired, bored, and great at a job he was never meant to be good at. From Cebu but everyone calls him Manila, because, ya know, mild-racism is par for the course at the Zoo.
Owner · Discount kingpin
A Jewish Tony Soprano if he ran a clearance center and did his own bookkeeping. Slicked-back hair, gold chain, tight black V-neck, and a stare that says bylaws are merely suggestions. The Zoo exists because he refuses to close it.
Represented? Not yet. Ready? Yes.
The Zoo speaks to readers who grew up in malls, strip plazas, and shift-work jobs where every sale felt like a small war. It leans into the messy side of coming of age in a working-class city and treats it with humor and respect.
The book is structured with screen adaptation in mind and draws on real experiences from an infamous Toronto retailer. It will appeal to fans of grounded, character-driven series that live in the space between comedy and drama.
The Zoo is a completed, unpublished manuscript. Full access is provided only to literary agents and editors at established agencies or publishing houses.
I am currently seeking representation for this project and for future work in the same world.
Quick answers about The Zoo
The Zoo is autofiction based on real events and people from the author’s years working on a chaotic big-box sales floor as a teenager in mid-2000s Scarborough. Names, timelines, and details are changed, but the core stories are based on real occurrences.
Not yet. The Zoo is a completed, unpublished manuscript. At this time, access to the full manuscript for review is provided only to agents and editors at reputable agencies or publishing houses. However, readers may currently read a sample of The Zoo's opening chapters Here. If you are an agent or editor, you may submit a request for the full manuscript Here.
A character-driven story with messy relationships, dark humour, chaotic retail energy, and unexpected moments that feel so wild they could only come from real life. It leans into the grit, the chaos, and the emotional beats that sneak up on you. It is not just a "funny retail memoir" or a collection of shock stories. It is a real coming-of-age novel that just happens to unfold in a workplace that operates like a madhouse.
Grit, survival, loyalty, mentorship, exploitation, and coming-of-age under pressure are all at the heart of the story. It is driven by chaos, comedy, and the kind of working-class realism you rarely see in fiction. The book also leans heavily into culture, and what it feels like to grow up in a truly multicultural environment where unspoken cues shape how people talk, move, joke, and clash. The sales floor becomes a place where different backgrounds collide in ways that feel real, honest, and familiar to anyone who has lived in a diverse community.
Darkly funny, raw, fast-moving, and grounded in the rough edges of Toronto life. Think workplace madness mixed with coming-of-age honesty, with humour used as armour and survival instinct. The story is written in language that is unpolished in the best way, shaped by the time, the place, and the people it surrounds. It is often profane and intense, but always authentic, a reflection of a reality that does not usually make it into fiction.
Besides the fact that the real events took place there, that era still had a raw and unfiltered edge. It was pre-smartphone, pre-viral culture, and pre-polished retail. It captures Scarborough at a time when everything felt louder, rougher, and funnier because nothing was curated or recorded, and people took themselves a lot less seriously.
Readers who crave honesty, grit, and that familiar feeling of surviving a chaotic first job. If you have worked in retail, dealt with questionable coworkers, grown up fast in dysfunctional environments, or found unexpected wisdom in the mess, this book will feel real. It is also for readers who do not want to be pandered to or talked down to, and who look for stories that have weight and realism. The kind of people who want to lose themselves in something that reminds them of the years when nothing was filtered or watered down.
The complete manuscript is approximately 80,000 words. The sample on this site includes the Prologue and Chapter 1.
Agents and editors can request the full manuscript through the contact form below or by emailing info@smblackbooks.com with “THE ZOO” in the subject line.
For representation, rights, or media inquiries
You can also reach me directly at:
info@smblackbooks.com